It’s purposefully hectic, what Fish calls “a bit of a mess.” Its crunchy guitars and screaming hook acted as a case study in juxtaposition. The band’s past meets its present on “wonderful life,” featuring Cradle of Filth vocalist Dani Filth. It’s followed by the dark-pop sing-along “in the dark,” whose twisted-but-catchy melodies are topped only by “medicine,” whose hook emits downright radio-levels of infectiousness. It makes no attempt to hide its Berlin-esque, goth-house influence as it slinks toward a smoky-club climax. The third track on the album opens with haunting rave synths over a pulsing beat. “nihilist blues,” featuring sci-fi alt-pop artist grimes, as an example. Right out the gate, Amo announces its departure with the ghostly notes of Fish’s keys on “i apologize if you feel something.” Sykes is mournful and ethereal over building drums that belie Fish and Sykes shared love of IDM acts like Radiohead, Moderat and Four Tet. I think this time, we felt a bit more like if we liked it, then that was really all that matters.” “We’d take out certain parts or neutralize them into something that sounds like a Bring Me To The Horizon song. “In the past, I think we’d start songs a certain way, and at some point in the process, turn them into one of our songs,” Fish says. It was the first such break since Fish joined the group seven years ago, and when the dust of life settled and creative sessions began, it gave the feeling of a true “clean slate.” While it was awkward at first to shake the rust off their artistic sensibilities, it also gave them the space to break old habit. The band’s cyclical formula of writing, tour, writing, tour halted in 2017 as Sykes underwent a publicized divorce, and Fish attended to his newborn son’s serious illness. Fish attributes their fresh perspective to an unexpected hiatus. Noted metal-head Kayzo has done much in the past year to marry his rock roots with his bass-heavy productions, collaborating with popular metal outfits Underoath and Our Last Night.Īmo adds to this lineage with a decidedly rock filter, but it blurs the lines so candidly, it seems to mark a new chapter in the group’s story. More modern times have honored From First To Last singer Sonny Moore’s evolution into mega-producer Skrillex. The ‘90s were flush with popular examples, from industrial rock icon Nine Inch Nails to “death pop” band Orgy. The intersection of electronic and metal is nothing new. It’s about trying to do rock music in a way that opens it, makes it feel like something that could actually work going forward rather than just being a retro rehash.” That’s pushing things forward – even if it doesn’t work sometimes. ![]() “We’re a rock band,” Fish says, “but where we can, we try to take the opportunity to mess around in … that little sweet spot where it could be a metal band trying to do electronic music, or it could be a guy who sometimes has drums on his songs. Indeed, the band’s chameleonic character has helped BMTH to become one of metal’s most successful acts for ages, but where earlier work flirted with genre crossover, Amo engages in unabashed appreciation. Ever since Fish joined the group as a session musician on 2013’s Sempiternal, the group has increasingly incorporated synthetic elements and overall electronic atmospheres. Play their 2006 debut Count Your Blessings back to back with Amo and it doesn’t even sound like the same band. Bring Me The Horizon's 10 Best Songs: Critic's PicksīMTH has come a long way from its original deathcore sound.
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